вЂњHis work is right in that intersection where I think of the moment where nature becomes culture.вЂќДЄ post shared by lynakhoudri and Bathily accepted the prize on behalf of the filmвЂ™s directors, Fanny Liatard and JГ©rГ©my Trouilh, who were unable to be present at the Jan. Those two elements are very crucial to his work,вЂќ said Allison. вЂњOne of the core elements of the theme is metamorphosis and the human-landscape relationship. This yearвЂ™s iteration of the Venice Biennale is being held under the theme вЂњThe Milk of Dreams,вЂќ derived from a book by 20th century surrealist artist Leonora Carrington. I think itвЂ™s a very nice outcome - he made the colors that he was missing in that part of the day.вЂќ вЂњThis fascination with bright colors that you see in some of his work is in part related to this sense of depravation from the colors of sunset. Of course the sunset is very colorful, but he is not able to see it,вЂќ said Allison. вЂњAs a child, he would try to imagine what the sunset looked like from the other side of these mountains. In his sculptural work, there is more than meets the eye when it comes to his use of colored material. Ibrahim is also known for his symbol-filled paintings, draped in vivid color. The installation will take pavilion viewers through a visual journey of the artistвЂ™s human-sized and organic sculptural forms. That movement is what heвЂ™s kind of referring to what youвЂ™ll see in the exhibition: the movement from morning till afternoon is very dramatic.вЂќ You just move into shadow and the world starts to feel more black and white.

In the middle of the afternoon, the sun goes behind the mountains and thereвЂ™s just a giant shadow cast across the town. вЂњThose mountains block the sunset, so that when the sun rises over Khor Fakkan, itвЂ™s very colorful and bright. вЂњHe was born and raised in Khor Fakkan, which has Al-Hajar Mountains behind it,вЂќ explained Allison. It is inspired by IbrahimвЂ™s personal experience of growing up in the Emirati port town of Khor Fakkan, where he encountered time and again a particular notion of light and color in the areaвЂ™s rocky nature.

Opening April 23, the exhibitionвЂ™s installation will take pavilion viewers through a visual journey of the artistвЂ™s human-sized and organic sculptural forms, made of paper mache and cardboard, transitioning from black and white to bright colors and vice-versa. The exhibition is curator Maya Allison in a fifth artistic collaboration. What looks like a very intuitive, childlike process has underneath it many years of reading and research and thinking about what the nature of art is.вЂќ вЂњHeвЂ™s extremely rigorous in his practice as an artist. вЂњHeвЂ™s doing something that I really havenвЂ™t seen any other artist do,вЂќ Allison told Arab News. вЂњBetween Sunrise and SunsetвЂќ is the title of the upcoming exhibition, which will reunite Ibrahim and Abu Dhabi-based curator Maya Allison in a fifth artistic collaboration. One of its experimental members is Emirati land artist Mohamed Ahmed Ibrahim, born in 1962, who will be the sole exhibiting artist at the Venice BiennaleвЂ™s UAE pavilion in spring 2022.

DUBAI:В Nine years after the UAE gained its independence in 1971, the Emirates Fine Art Society was formed by the first generation of contemporary artists to pioneer cultural activities in the country.

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